Today is


   "A word to the wise ain't necessary --  
          it's the stupid ones that need the advice."
					-Bill Cosby

Monday, August 21, 2006


Amen, brother!

James Lileks, in rare form today:

I’m not going to defend McCarthy, because he was a brute and boor and a butter-eating drunk who set back the anti-Communist cause four decades. To say that he was sorta right, in the sense that there were Commies about, is like saying that J. Robert Oppenheimer had a salutory effect on Japanese urban renewal. I’m not interested in those debates right now. I’d just like to point out that it’s a little late in the game to trot out a play about the mean old witch-hunts. The bravery of the scrappy idealists! The piggish philistinism of the anti-commie brutes! The smothering wet quilt of Conformity that held America motionless until it was thrown off by the undulating hips of Elvis! (Did you know they didn’t show him below the waist on TV, at first! True! It was horrible, the Fifties; no one had sex without weeping in shame afterwards. Sometimes during.) It's just interesting how Westerners think that that Red Scare was a historical event of such towering proportions it trumps the tales of the Soviet Union in the same period. US version: communist sympathizers frozen out of screenwriting jobs, justly or unjustly. USSR version: actual communists killed in ghastly numbers by a parody of a legal system underwritten by brute force and an industrialized penal system built on slave labor. Why is the latter ignored, and the former celebrated?

Because a herd of frozen zeks dying in the snows of Wherdifugistan doesn’t really connect, you know? Whereas six guys sitting around the Carnegie Deli bitching about cowardly sponsors, that strikes a chord.

And here he is on the culture of adolescent rebellion:

. . . After the war, though, the adolescent was not only the focus of the culture’s attention, he was taken seriously. He was an inarticulate oracle, a mumbling sage, a jeering jester with a switchblade. One of the dumbest lines in cinema is one of the most famous: asked what he’s rebelling against, Marlin Brando’s character in the “The Wild Ones” says “Whaddya got?”

Oh, I don’t know. The Pure Food Act, antibiotics, an industrial infrastructure that makes it possible for you to ride your bikes around, paved roads, a foreseeable successful conclusion to rural electrification, sewers, the ability to walk into any small café and order a Coke and know you won’t be squitting your guts out 12 hours later into a hole in the ground alive with squishy invertebrates. Little things. No wonder they fretted over the Juvenile Delinquents – they’d known not hard times nor war, and they acted as if they’d been born into the sixth circle of Hell. If pressed, JDs would respond - with their trademark mommie-took-my-rattle petulance that they were against the whole phony world, man, because there’s nothing the adolescent finds more contemptible than hypocrisy. Somehow they find the fact that their Old Man lied about Santa Claus – lied, man, stood there and lied with a big old smile on his big old face, dig it – is a piercing insight to the machinations of adulthood.

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